As the authors of the text Some Questions And Answers About The Order of Nine Angles 2019 write, the Occult movement that is the Order Of Nine Angles (O9A) is
“a means whereby the current Aeon, distorted by the Magian, can be undermined and replaced by a new Aeonic civilization with a new ethos and with a new mythos which presences that ethos. That new ethos is an essentially pagan one evolved from the Greco-Roman and Western notion of καλὸς κἀγαθός, of τὸ καλόν (the beautiful) and τὸ ἀγαθὸν (the honourable) manifest as these are in the O9A Code Of Kindred Honour and in the balancing (ἀρρενόθηλυς) of the masculous and the muliebral via the enantiodromia that is the Seven Fold Way and presenced as that balance is in the Grade Rituals of Internal Adept and of The Abyss.”
Where the ancient Greek term καλὸς-κἀγαθός in the context of the O9A means a certain type of individual; a type of individual well-described in the 122 Year of Fayen text Concerning Culling as Art – an extract from which is given below – and which individual has a particular personal character revealed in and by their behaviour and by the deeds they have done in the real world.
Revealing, and to an extent creating, this type of personal character is one of the main aims of the O9A Seven Fold Way (7FW) with its physical challenges, its difficult and testing Insight Roles, and its Grade Rituals, especially the Grade Rituals of Internal Adept and of The Abyss. All of which were designed to test and to challenge the initiate as well as provide opportunities for both exoteric and esoteric pathei-mathos – πάθει μάθος – just as the Labyrinthos Mythologicus of the O9A was designed to challenge and test aspirant initiates.